L'Artiste
Peintre · Performer · Résident à 59 Rivoli depuis 2009 · Paris & Manila

Brazilian Kids — Travel Diaries series, 2015
Biographie
Henri Lamy is a French figurative painter born in Lyon in 1985. He came to painting early, drawn to faces, gestures, and the people who live a little outside the frame. His first years were shaped by the palette knife and by life at 59 Rivoli, the artist-run residence in Paris.
In 2014, Henri brought together his two languages — capoeira and painting — and turned them into a live practice built through rhythm, movement, and image. Since then, he and his wife Maïa d'Aboville have performed together around the world.
In 2015, Henri and Maïa founded Taverne Gutenberg in Lyon, a place for residencies, exhibitions, studios, conversation, and late nights at the bar. Between 2015 and 2018, it welcomed more than 40,000 visitors, 30 exhibitions, 400 participating artists, and 15 resident artists. In 2017, they also launched Ugnayan sa Poblacion in the Philippines, an art residency grounded in community life.
In 2018, Taverne Gutenberg opened Les Halles du Faubourg in central Lyon, turning a 1,600-square-meter abandoned factory into a place where art, culture, and science could meet in public.
Travel, languages, and real encounters continue to shape Henri's work. Faces, body language, and scenes that feel truly lived stay at the center of his paintings.
His paintings are part of international collections and are represented by selected galleries, including Altromondo in the Philippines, Bouillon d'Arts in France, and Fitz Contemporary in the United States. He has also painted official portraits of Jeremy Meeks, Ky-Mani Marley, José Gonzalez, and Jimmy Cliff.
Born
1985, Lyon
59 Rivoli
Résident since 2009
Base
Paris & Manila
Medium
Acrylic · Oil · Mixed
Languages
FR · EN · PT
Séries

Sapiens
A search for what feels deeply human, no matter where we come from

Maharlika
Paintings shaped by Philippine dignity, pride, and island spirit

Travel Diaries
A painter's journal of movement, place, and the people met along the way

Jean in the Philippines
An intimate portrait over time, holding both presence and change
008 — Press
Redefining value and visibility, Henri Lamy is making a highly anticipated return to the Philippine art scene with a solo exhibition opening on March 20 at the Iloilo Museum of Contemporary Art (ILOMOCA)
His Maharlika series restores something we rarely see in European art about the Philippines — dignity. These are not postcards. They are declarations.
Henri Lamy makes paintings that remember how they were made. You can feel the body in every mark — the speed, the weight, the risk.